‘Consumer Art’ and Other Commodity Aesthetics in Eastern Europe under Communist Rule

  This essay was written for a book which was published by Centrum Sztuki Nowoczesnej in Warsaw in January 2017.   In 2015 works from Natalia LL’s ‘Consumer Art’ (1972-5) series featured in Tate Modern’s exhibition, The World Goes Pop. Here, Natalia LL’s reflections on desire and satisfaction were placed in in the company of … Continue reading

Pop Effects in Eastern Europe under Communist Rule

In September 1974 Vitaly Komar and Alexander Melamid exhibited four works at an exhibition of nonconformist art in Moscow, which had been reluctantly permitted by the authorities. Two weeks earlier, the artists had had an artwork – a double self-portrait as Vladimir Lenin and Joseph Stalin – destroyed in the notorious demolition of the ‘Bulldozer … Continue reading