This article appears in the catalogue on the life and work of the Polish architect Adolf Szyszko-Bohusz in Kraków in 2013-14 – details here. I also gave a lecture for the finissage of the show in February 2014 – you can watch it here: Writing after the liberation of Kraków at the end of … Continue reading
In September 2013, I gave a lecture on the great painter, Andrzej Wróblewski, at the Museum of Modern Art in Warsaw. You can watch it here.
This is just a quick post to say that Sounding the Body Electric has been issued as a double-CD by Bółt Records. A copy can be ordered here. The CD includes some new material which was not in the show (but is discussed in the accompanying book) such as Rudolf Komorous’s minimalist ‘Tomb of Malevitch’, … Continue reading
This piece was published in the epiphanies section of the June 2013 issue of the The Wire ♦ The centre of Pest – Budapest’s Rive Droite – is dense and busy, packed with elegant buildings dating from the city’s heyday before the First World War. They feature in the elegant images of the Hungarian capital … Continue reading
A new version of the 2012 show opened at Calvert 22 in London in late June 2013. it ran until Aug 26th. Here is a gallery of installation shots – courtesy of Calvert 22. There is also some footage of me talking about the show on the Calvert site here. You can download a pdf … Continue reading
This is an extract of a talk which I will present at the ‘Afterlives of Constructivism‘ conference at Princeton University in May 2013 ♦ At the height of the period of liberalization in Czechoslovakia in the mid 1960s, architects began imagining the kind of ambitious projects for cities and buildings that went far beyond the … Continue reading
In lieu of the full text, here is a link to a talk on Oskar Hansen’s ideas about the mobile body. It was presented at a conference at the Museum of Modern Art in Warsaw in June 2013.
This lecture was given at Tate Modern in London on 15 March 2013 as part of the Global Pop conference.
In Eastern Europe before 1989, the state held a near-monopoly on all forms of public expression. Censors wielding red pencils checked every message that went into print. Fearful of the spread of free opinion, the authorities controlled the use of even the most basic office printing equipment. In Ceausescu’s Romania all typewriters, for instance, had … Continue reading
In many science fiction films of the Cold War period the cosmos is represented as an extra-terrestrial space in which international rivalries have been overcome. ‘Der Schweigende Stern’ (The Silent Star) depicted a world in which communism had swept the planet and mankind now enjoyed the benefits of nuclear technology, social equality and international fraternity. … Continue reading